Link this however and wherever you like. I'm going to bed now. Tomorrow I'm going to Wales and may be away from the internet until next Monday, so comments may not be answered and may not be moderated.
I am reading a treatise on context and predictability and process and experience and empiricism, so my last paragraph, has, on rereading, inspired further thoughts about the construction of fannish space/fic reading context. I don't want to go into it here, but I think I will revisit it, because I think may be a way to explore why people don't like to warn and the concept of authorial vision as applies to fanfic.If fannish space is a space in which stories, generally, come with warnings/are labelled the fic without warnings or labels (the "default" fic, the way the Privileged is the "default" position for people):
• Is canon compliant up to a couple of weeks before it was posted
• Contains no pairings other than canon pairings and pairings that are established fanon for the author/community (if you consider that author and the place the story is posted are not themselves labels)
• Is rated no more highly than the canon source.
If fannish space is space in which stories, generally, do not come with warnings/labels, then the default fic:
• Is about the characters we particularly don't like doing things that will definitely make us uncomfortable to read about
• Glories in our favourite characters behaving in ways that we find repugnant
• Will trigger us.
These are obviously extreme illustrations. But it seems to me that the fannish experience advocated by the anti-labelling people is one that is unpleasant to everyone. Labelling give us an optimistic outlook on fandom, not labelling gives us a pessimistic one.
I seek out stories that are labelled first-time, because I like that emotional resolution. The disappointment I feel discovering a fic is established relationship is so totally not traumatic, is so totally worth the chance of finding a first-time fic that hasn't been explicitly labelled that. (Or discovering that this particular established relationship fic has the same emotional payoff I like.)
It is no way equivalent to suggest that people should be expected to seek out fic that is labelled "does not contain consent issues" because they like not reliving trauma and being left emotionally and physically drained.
I don't have triggers. I'm lucky. I've never been seriously physically, sexually or emotional assaulted or abused. I've never even been terribly embarrassed or ridiculed by someone in public (although I fear that viscerally).
I rarely read warnings. I don't have to. (I rarely read things that aren't from my f'list or themed rec lists, either, so I am, in that way, managing my fannish experience. I don't expect other people to do this. I except the mainstream fannish experience to be reading everything for one's OTP that isn't nailed down by warnings.) If I happen onto a part of a story that seems as though there will consent issues, then I check the warnings. If the warnings say "non-con" or similar, then I will
keep reading. If they don't, I often stop. I am not prepared to read non-con by someone who doesn't know that that is what they have written.
Warnings are warnings (about helping people avoid fic they don't want to or can't read). They're advertisement and enticement (about helping people find fic they do want to read). But they are also a way to show that we have thought about our fic, that we have reflected on it and its themes, that we wrote it with a purpose (it's doesn't have be a morally or socially "good" purpose). Warnings for the critical and controversial aspects of a story show that we
own that story and our identity as its writer.